Packet 4: Bonus 4

This technique’s first notated use is in Engelbert Humperdinck’s melodrama Königskinder (“KURR-nigs-kin-dur”). For 10 points each:
[10m] Name this technique that a composer first used in Pierrot lunaire (“p’yair-OH loo-NAIR”), where it was represented by notes with x’s in their stems, before he graduated to clefless notation in A Survivor in Warsaw.
ANSWER: Sprechstimme (“SHPRECK-shtim-uh”) [or Sprechgesang (“SHPRECK-guh-zong”); prompt on speech-song or speak-singing]
[10e] This Austrian composer and founder of the Second Viennese School wrote the aforementioned pieces Pierrot lunaire and A Survivor in Warsaw.
ANSWER: Arnold Schoenberg
[10h] A Survivor in Warsaw uses Sprechstimme until the very end, when a chorus uses conventional singing to perform this pre-existing text.
ANSWER: Shema Yisrael (“sh’MAH yees-rah-EL”) [or Shema Yisroel; or the Shema; or “Hear, O Israel”]
<Minnesota, Classical Music> | D. Prelims 4 - Toronto B + Harvard + Michigan + Minnesota

HeardPPBE %M %H %
2120.48100%81%24%

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TournamentEditionMatchHeardPPBE %M %H %
Main Site2026-04-172120.48100%81%24%